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There was an increase in the number of older music fans, aged 34 to 64, gradually embracing on-demand audio subscription streaming service during last year. Nevertheless, music piracy was slightly plunging thanks to people converting to legal streaming platforms like Spotify or Apple Music. In spite all the previous findings, music piracy rates have been slowly decreasing since 2019.Īccording to a report by the International Federation of the Phonographic Industry (IFPI), in 2019 the use of unlicensed music remained a threat as 23% of respondents were using stream-ripping services. Source: MusicWatch Music piracy rates started changing in 2019
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The number of stream-rippers went from 15 million in 2017 to 17 million the following year, according to the MusicWatch Annual Music Study published in 2019.įrom the user perspective, the boom of music piracy follows a simple premise: stream-ripping music services are used as a substitute for legal subscription streaming platforms.Īs the MusicWatch report shows, users who downloaded music illegally were doing it just because they wanted to listen to music offline (46%) or because they didn’t feel they should pay for individual songs (37%) they liked. The music ecosystem on the other side of the Atlantic has also been threatened by piracy in the past years. This method consists of using an army of bots who automatically plays songs on loop, multiplying the number of fake listeners and thus generating revenue illegally. Spotify was the second most pirated platform.įor some time, the popular music platform has been fighting against fraudsters who are using its service to earn money with artificial streams or the so-called “streaming farms”.
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Looking at the legal streaming services that users exploited the most when it came to downloading music through stream-ripping sites, we found YouTube leading the game. The bad news didn’t end up there as it was also revealed that music piracy sites accounted for over 80% of the Top 50 websites in the UK infringing on music copyrights.
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His dreams about offering a top-notch alternative to online music piracy partially collided due to the vast increase of usage of streaming-ripping services during the following years.Ī study by the British Performing Right Society (PRS) and the brand protection company, Incopro, that reviewed stream-ripping trends in the UK during 20, showed that the use of these illegal music download software programs exponentially jumped by 1390% during that period. “Spotify is the answer to piracy.” This is what Sean Parker, Spotify investor, expected about the streaming service when it was launched in the U.S. Music piracy before Covid-19: The rise of stream-ripping services The company is currently playing at the same league and competing with other digital music distributor giants like Pandora or Spotify. Years later, Napster reinvented itself and became a legal streaming services that offers music on-demand. The file-sharing service reached at its peak the 80 million users per month, but it had to cease its activity in 2001 after the thrash metal band Metallica filed a lawsuit after discovering one of their songs was illegally circulating on the platform. Napster’s case was the one that went viral and still today is the one that remains in the collective memory. Some time later, most of these services were forced to shut down after being brought to court for copyright infringement.
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These services allowed millions of users from around the world to illegally download copies of individual songs, entire albums and even music rarities that were unreleased to the public when uploaded on these platforms. Peer-to-peer files-sharing services like Napster, Kazaa or SoulSeek became the biggest nightmares for the recorded music industry during the late 90s and early 2000s. However, digital music distribution also opened the doors for online fraudsters who have made music piracy their way of life. Records labels and artists could deliver music to any corner of the world within minutes, while music enthusiasts could listen to their favorite tunes whenever and wherever they want. When the recorded music business entered into the digital world, many saw a huge opportunity to discover, promote and distribute music in a way that it wasn’t possible before. Piracy has always been one of the most powerful enemies of the global music industry.